1) Frosted Mylar, surveying tape, thread.
24”x24”. 1996
2) Frosted Mylar, surveying tape, thread.
24”x24”. 1996 (detail)
3) Frosted Mylar (2 layers), surveying tape, thread.
24”x24”. 1996
4) Frosted Mylar (2 layers), surveying tape, thread.
24”x24”. 1996 (detail)
Developing out of the earlier cast paint pieces, these paintings on clear vinyl were another attempt to allow marks expressed frontally to interact with their shadows and colored reflections, making a painting that’s part concrete and part ephemeral.
5) Acrylic paint on vinyl.
22”x19”. 1997
6) Acrylic paint on vinyl.
22”x19”. 1997 (detail)
7) Acrylic paint on vinyl.
47.5”x42”. 1997
8) Acrylic paint on vinyl.
47.5”x42”. 1997 (detail)
The remainder of these images show works made by pouring pigmented silicone onto first one side and then the other of sheets of translucent mylar. Starting with image 13, the rubber starts taking on a more structural role as the pieces no longer hang from the mylar but from the lobes of silicone that extend beyond the mylar’s edge. Image 13 shows the only piece to use more than one layer of mylar.
9) Silicone rubber, mylar, pigment.
20.5”x22”. 1999
10) Silicone rubber, mylar, pigment.
23.5”x33.75”. 1999
11) Silicone rubber, mylar, pigment.
32”x36”. 1999
12) Silicone rubber, mylar, pigment.
46”x62”. 1999
13) Silicone rubber, mylar, pigment.
55”x55”. 2001
14) Silicone rubber, mylar, pigment.
56”x43”. 2001
15) Silicone rubber, mylar, pigment.
54”x62”. 2001
16) Silicone rubber, mylar, pigment.
68.5”x56.5”. 2001
17) Silicone rubber, mylar, pigment.
68.5”x56.5”. 2001 (detail)
